The Most Important Story of the Week

Weekly looks at the biggest news in entertainment.

Three Stories about Theatrical Distribution

Hollywood can have a short memory. All it takes is one good weekend, and suddenly Hollywood is back! Since we went long on Wednesday writing about Apple, app stores and distribution fees, here’s all the other stories that caught my eye in the realm of entertainment business strategy. (Apologies for

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How 30% Can Hyper Charge the Streaming Wars

I hope everyone had a relaxing Labor Day weekend. (Or Monday, if you aren’t in America.) Now that the summer is behind us—with lots of writers/execs taking off for August—maybe some really juicy news stories will drop. In the meantime, I had my eyes on Apple, which made some small,

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Live TV (er, Non-Sports Live TV) Comes To Streaming!

Sometimes you can immediately recognize certain strategic moves as game changing. The big, obviously huge moves, like AT&T buying Time-Warner. Like NBC announcing Peacock. Like Bob Iger stepping down. You don’t need me to tell you those news stories matter. But if a company is a “collection of decisions”—strategy is

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Is 45 (Days) the New 90? Thoughts on the New Theatrical Window

Last year, the big question after Covid-19 shuttered theaters, stopped productions and generally upended the movie industry was, “What comes next?” Specifically, how long would the around-90-days-of-theatrical exclusivity last? With some recent news stories, I think we have an answer.  (Sign up for my newsletter to get all my columns,

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Is Hello Sunshine the Next Maker Studios or Pluto TV?

– Private equity group Blackstone bought Reese Witherspoon’s production company Hello Sunshine for $500 million in cash at a $900 million valuation. – The best analogy to this deal is Maker Studios, another big payday for a “next generation media company” that failed to deliver on its high payday, leaving

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You Can’t Split the “G”

If you’re reading this article, you read the trades. You subscribe to multiple other newsletters. So when Scarlett Johanson sued Disney last week, every Rich, Matt and Lucas (the entertainment journalist equivalents to Tom, Dick and Harry) provided the simple explanation: The big studios are prioritizing stock price over film

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