Explaining the Business of Entertainment
Deep dives into Nielsen and other data that provide insights into streaming.
In the last few weeks, the streaming companies have all picked up their TV game. We’re got another juicy set of shows to look at this week—remember: the week starting 20-March—with big titles from each streamer. So who’s set to win: Great Expectations from Hulu, Rabbit Hole from Paramount+, or
Since I released my giant “Future of Film” series “The Data is In: Theatrical Films Massively Outperform Straight-To-Streaming Films” last week—it’s now officially our top article of all time!!!—I had to skip the Streaming Ratings Report last week. But that’s good news for you as you’ll get a double issue
(Midday on Friday, my son got sick and was sent home from daycare, hence why last Friday’s Streaming Ratings Report is coming out today.) After a slow start to the year, the streaming wars are officially in full swing. Between the biggest Star Wars series coming back for its third
The last few weeks have been quiet in the streaming wars, which kind of reminded me of how actual wars are fought. To go off on a bit of a military tangent, wars are often fought seasonally. The summer is the “campaign season”, which means after crops are planted but
For the first time this year, the streamers finally released a lot of new seasons of television. But unlike next week, it was a fairly underwhelming crop of new series. The third seasons of Netflix’s The Upshaws and Hulu’s Wu-Tang Clan: An American Saga came out, but neither has been
We’re still working our ways through a relatively quiet period in the streaming wars, but these things are relative. I mean, I still tracked eighteen new streaming releases this week! That’s low for streaming, but still a lot of shows to analyze. (And I have a cool, cool, cool chart
On a whim, last October, I started collecting news stories about which TV shows were getting renewed or cancelled, though I wasn’t quite sure what I’d do with the links. Mostly, I wanted to know if the TV shows I cover each week in the Streaming Ratings Report had already
One of the questions I have about feature film distribution is whether all the (traditional) studios have it backwards. Right now, the studios are in a rush to shorten their feature film distribution windows—especially theatrical—as much as possible to take advantage of the marketing buzz of the initial window to
I hope you enjoyed the deep, deep, dives into streaming ratings of 2022 I put out over the last two weeks. Not to brag, but these were far and away some of my most successful articles I’ve ever written, and I couldn’t be happier, not just that the articles did so
The dog days of January. If the last week of Christmas is “Sweeps Week”, that might be the term for the month of January. As we saw (somewhat) last year, the start of a new calendar year tends to be slow in streaming. (BTW, the theatrical calendar has long considered