Explaining the Business of Entertainment
Deep dives into Nielsen and other data that provide insights into streaming.
As usual, we have a lot of stories in the streaming ratings this week, from Squid Game’s second 50 million hour week to Black Widow showing back up on the Nielsen charts to Seinfeld’s debut to the usual flops and misses. Instead of those, we’ll look at the first appearance
I often write that this is a “hits driven” business. (And yes, I often write both hit-driven and hits-driven. I’m not sure which is more accurate. Disney, for example, thrives not off one hit but multiple hits.) Nothing proved that this quarter quite like Squid Game. Let’s dive into a
I know what you’re here to read this week: my analysis on Squid Game launching from 3.4 million hours in its first weekend to 31.8 million hours in its second week. Yikes, that’s a jump! Well, I’m going to disappoint. My Squid Game thoughts were so good, I sent them
Suddenly, this ratings report feels very cosmopolitan. A streaming ratings report of the world. You’ve got TV series from Spain and South Korea vying for attention with cop dramas from America. And German films trying to knock American animated films off the lists. That’s right, I’m talking about Firedrake the Silver
Today, it’s all about a foreign international title and its performance in the U.S. What’s that you say? Something about an octopus match? A cephalopod competition? Squid Game you say? Let me check. Give me a few minutes. Okay back. Yikes, Squid Game is popular! As I was writing this
To quote Will Ferrell in Old School, Hulu is going streaking! Specifically, they’ve launched their second successful TV series in August. Toss in an okay film performance and The Handmaid’s Tale’s good run, and they’ve had a successful summer. Of course, a Hulu “success” isn’t a Netflix success, or even
Folks, last week I promised you a show down of straight-to-streaming films, and by golly, we got it. Given the datecdotes, Nielsen ratings and creative auspices of the films involved, the battle lived up to the hype. (Reminder: The streaming ratings report compiles data from Nielsen’s weekly top ten viewership
Let me level with you: if Netflix took over the entire rankings list for another week—like they did the last two weeks—I probably would have quit. That level of dominance ceases to be impressive and just starts to be boring. (Fine, I wouldn’t have actually quit. But I would have
Manifest had quite the summer. The show of the summer, if you will. It went from cancelled on NBC—with a cliffhanger—to thriving on Netflix. Most headlines/coverage repeated something along the lines that this proved that Netflix could make hits where broadcasters like NBC had failed. At least, that’s the narrative.
Folks, let’s call it. This is the week that Netflix won the streaming wars. Last week, Netflix owned almost every spot on the TV lists. This week they went even further: they have every TV series on the top Original and Acquired Nielsen lists. This war is over. Kidding! The